It is important to clarify the distinction in between method and style. Technique can be a indicates, not an end. It’s the hammers and saws with which 1 builds the residence – not the house itself. Technique makes it possible for one such freedoms as to blend colors cleanly, to draw letters that work when it comes to classical perspective, or to outline with out dripping. Among the possible drawbacks of approach is that it enables one to exactly replicate the work of others if one so desires.
In graffiti, there’s a large distinction among technique and style. Approach may be the way in which something is produced, whereas style is the final result. An excellent technique will be the ability to paint without dripping, to paint clean lines, mix colours, and to draw. Though approach is a excellent factor, it can cause troubles simply because it enables the capacity to copy other individual’s function.
One more aspect of technique is that it may be taught and learnt, and might be the same from artist to artist. Style, on the other hand, can’t be taught or learnt. It’s exclusive to an individual and ought to be learnt and create via an individual procedure.
Due to the fact approach and style are two quite diverse aspects of graffiti, new artists are sometimes unsure as to which has to be studied first. Approach is considered to be less complex to understand because it can develop less complicated via understanding, practice and time.
Though approach is less complicated to master than style, it can be detrimental to think that it is far better to very first find out method, then create a style. Regardless of how lovely or aesthetically appealing a piece could be, if it has no meaning, it’s a waste and will not be appreciated. It’s greater to find out style first, to ensure that it can give meaning towards the method.
Obviously, every person copies style at the beginning, and that is okay. There are “basics” to find out in graffiti, just like any other art form. Many excellent graffiti writers got their commence by basing their function on the style of their nearby heroes, but then, initial lessons learned, they moved on to establish their very own.
This does turn out to be problematic though when graffiti artists assume that it’s ok to simply make a collection of the works of others, without having creating their own style. People who do take the time to produce their very own style achieve good results and produce stunning, meaningful and unique pieces.
A way in which graffiti artists imitate each others’ work is by simply incorporating their very own tag (name) into the stylised letters that others have worked tough to produce. But, those that copy others’ styles only mislead people who aren’t knowledgeable.
This is degrading on a lot of levels. It degrades the copier for obvious reasons. It degrades the copied also. Copying someone else’s style objectifies them and renders them artistic commodities who’ve lost control of their work. This isn’t something which any true artist would want for their heros.
Each and every and every graffiti writer has been given the tremendous gift of a substantial culture and art form which has allowed for their expression along with the ability to say points previously unsayable. That’s 1 hell of a debt to carry, but each writer can do some thing about repaying it. The very best strategy to repay the culture would be to contribute some thing individual and distinctive back to it.